Martyl - a retrospective
On Display: September 20, 2012 – November 6, 2012
Artist Reception –September 20, 2012 5-7pm
Fermilab Art Gallery, Wilson Hall
"Modern Art and Science have finally recognized each other as a mutually creative interaction and understanding.
The deep appreciation of Janine and Alvin Tollestrup and Ellen and Leon Lederman of my work is evident in this memorable collection. It reflects a cultural commitment to the cultural life of the community as well."
Born in St. Louis, Missouri in 1917, Martyl Suzanne Schweig later became known to the art world as Martyl. The Schweig family of St. Louis valued the arts. Martyl's mother Aimee Schweig, an admired artist, founded the Ste. Genevieve Summer School of the Art: her father, Martin Schweig, was a well-known photographer. She began the study of painting with Charles W. Hawthorne in Provincetown, Massachusetts at the age of eleven, and later with Boardman Robinson in Colorado Springs, Colorado. Martyl attended Mary Institute and received a Liberal Arts degree in the History of Art from Washington University, St. Louis.
In 1941, Martyl married the nuclear physicist Alexander Landsdorf, Jr. and legendary match of art and science began. The couple moved to Chicago in 1943 at the invitation of Enrico Fermi to join the Manhattan project. Their daughters Suzanne and Alexandra were born in 1945 and 1948. In 1953 they purchased the home of master architect Paul Schweikher in what is now Schaumburg, Illinois. The home was placed on the National Register of Historic Places in 1987. The Schweikher House and Studio is forever linked with Martyl's career.
Martyl continues to reside and work in the landmarked home and studio, Martyl has been an innovator throughout her career. Exploring new media while using traditional methods, her work has been created in an evolving contemporary context. In the 1960's, the Washington University Archaeologist George Mylonas invited Martyl to draw and paint in Greece. A decade later, Robert Braidwood, Archaeologist and Anthropologist from the University of Chicago, invited her to draw and paint at the pre-history excavation in Eastern Turkey.
In the 1970's she created a series of works inspired by electric circuitry and Nervous System synapses. Notably, she was one of the first artists to work with Mylar. The series became a metaphor for the relationship of the human brain to modern electrical circuits. In the 1980's, she revitalized the tradition of archaeological site drawings of the Precinst of Mut at Luxor, a project undertaken with the sponsorship of the Brooklyn Museum, New York.
In 2002, she collaborated with (art)n, a group that produced large three dimension images. These digitally rendered barrier strip auto stereograms, known as PHSCOLOgrams, produce3D images that are viewable without glasses. Her iconic original design for the Bulletin of the Atomic Scientist, the Doomsday Clock, created in 1947, later juxtaposed with her painting of Tent Rocks, New Mexico created a new image, "Have a Nice Day". In the characteristic style, Martyl married the themes of new technology, American landscape traditions and social awareness.
In a career spanning over seven decades, Martyl embraced painting, printmaking, drawing, murals, and stained glass design. Martyl is recognized with numerous honors, prizes, commissions and other distinctions. Her extensive world travels include journeys and extended stays in the American West and Southwest, Mexico, France, Greece, Turkey, Iraq, the UK and Japan. She is represented in many museums including the Art Institute of Chicago, Brooklyn Museum, Illinois State Museum, Los Angeles County Museum, and National Museum of American Art in Washington DC, Oriental Institute of the University of Chicago, St. Louis Art Museum and Whitney Museum of American Art in New York. Her work is in a large number of corporate, institutional, and private collections worldwide. There have been close to one hundred solo exhibitions of her works in New York, Chicago, St. Louis, San Francisco, Los Angeles, and galleries in between.
311 W. Superior St. Suite 105
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